All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells-
From the jingling and the tinkling of the bells.

Edgar Allen Poe, The Bells, 1849

This is a work in progress, a fractal AC piece in C major with 4/4 timing. Sort of. The C major scale is chosen from 53-TET, and the 4/4 beats are divided up strangely to demonstrate the capabilities of my rhythm programming system, which is done in Python, inspired by Jacob Joaquim's dseq language. The fractal is applied in various ways, most obviously to the sequencing of the pluck instrument, but also to provide tonal variation to rhythm instruments.

http://www.csounds.com/node/1359">read more

This is a work in progress, a fractal AC piece in C major with 4/4 timing. Sort of. The C major scale is chosen from 53-TET, and the 4/4 beats are divided up strangely to demonstrate the capabilities of my rhythm programming system, which is done in Python, inspired by Jacob Joaquim's dseq language. The fractal is applied in various ways, most obviously to the sequencing of the pluck instrument, but also to provide tonal variation to rhythm instruments.

http://www.csounds.com/node/1359">read more

This is a work in progress, a fractal AC piece in C major with 4/4 timing. Sort of. The C major scale is chosen from 53-TET, and the 4/4 beats are divided up strangely to demonstrate the capabilities of my rhythm programming system, which is done in Python, inspired by Jacob Joaquim's dseq language. The fractal is applied in various ways, most obviously to the sequencing of the pluck instrument, but also to provide tonal variation to rhythm instruments.

http://www.csounds.com/node/1359">read more

Part of Fragments of a Bohlen-Pierce Composition. Read more at http://csound.noisepages.com/2010/02/fragments-of-a-bohlen-pierce-composition-pt-3/">The Csound Blog.

This is a work in progress, a fractal AC piece in C major with 4/4 timing. Sort of. The C major scale is chosen from 53-TET, and the 4/4 beats are divided up strangely to demonstrate the capabilities of my rhythm programming system, which is done in Python, inspired by Jacob Joaquim's dseq language. The fractal is applied in various ways, most obviously to the sequencing of the pluck instrument, but also to provide tonal variation to rhythm instruments.

http://www.csounds.com/node/1359">read more

This is a work in progress, a fractal AC piece in C major with 4/4 timing. Sort of. The C major scale is chosen from 53-TET, and the 4/4 beats are divided up strangely to demonstrate the capabilities of my rhythm programming system, which is done in Python, inspired by Jacob Joaquim's dseq language. The fractal is applied in various ways, most obviously to the sequencing of the pluck instrument, but also to provide tonal variation to rhythm instruments.

http://www.csounds.com/node/1359">read more

This is a work in progress, a fractal AC piece in C major with 4/4 timing. Sort of. The C major scale is chosen from 53-TET, and the 4/4 beats are divided up strangely to demonstrate the capabilities of my rhythm programming system, which is done in Python, inspired by Jacob Joaquim's dseq language. The fractal is applied in various ways, most obviously to the sequencing of the pluck instrument, but also to provide tonal variation to rhythm instruments.

http://www.csounds.com/node/1359">read more

This is a work in progress, a fractal AC piece in C major with 4/4 timing. Sort of. The C major scale is chosen from 53-TET, and the 4/4 beats are divided up strangely to demonstrate the capabilities of my rhythm programming system, which is done in Python, inspired by Jacob Joaquim's dseq language. The fractal is applied in various ways, most obviously to the sequencing of the pluck instrument, but also to provide tonal variation to rhythm instruments.

http://www.csounds.com/node/1359">read more